An analysis of feature films shot on analog formats from 2019 to 2024, presenting key industry data and trends.
Identified Films (2019-2024)
111
A significant number of productions choosing the texture and discipline of film.
The use of analog film isn't a steady trend but a fluctuating heartbeat, with creative choices leading to peaks and valleys in production year over year.
Filmmakers utilize a range of analog formats. While "pure" 35mm or 65mm productions form the core, many projects adopt a hybrid approach.
| Year | Title and Notes on Film Usage |
|---|---|
| 2019 | *1917* (Tests on 65mm, final film shot digitally) |
| 2019 | *A Faithful Man* (35mm) |
| 2019 | *Ad Astra* (Hybrid: 35mm and digital) |
| 2019 | *Apollo 11* (Documentary from archival 35mm and 70mm footage) |
| 2019 | *Ash is Purest White* (Partially on 35mm) |
| 2019 | *The Beach Bum* (35mm) |
| 2019 | *Birds of Passage* (35mm) |
| 2019 | *Detective Pikachu* (35mm) |
| 2019 | *Her Smell* (35mm) |
| 2019 | *Joker* (Opening titles on 35mm; film shot digitally) |
| 2019 | *Knives Out* (One shot on 35mm) |
| 2019 | *The Lighthouse* (35mm black-and-white) |
| 2019 | *Little Women* (35mm) |
| 2019 | *Luce* (35mm) |
| 2019 | *Marriage Story* (35mm) |
| 2019 | *Once Upon a Time in Hollywood* (35mm with 70mm distribution) |
| 2019 | *The Painted Bird* (35mm black-and-white) |
| 2019 | *Queen & Slim* (35mm) |
| 2019 | *Seberg* (35mm) |
| 2019 | *Star Wars: The Rise of Skywalker* (Hybrid: 35mm, 65mm, digital) |
| 2019 | *Sunset* (35mm) |
| 2019 | *Uncut Gems* (Hybrid: 35mm and digital) |
| 2020 | *The 40-Year-Old Version* (35mm black-and-white) |
| 2020 | *A Quiet Place Part II* (Hybrid: 35mm with digital scenes) |
| 2020 | *Artemis Fowl* (35mm) |
| 2020 | *Bad Education* (35mm) |
| 2020 | *The Banker* (35mm) |
| 2020 | *Chemical Hearts* (35mm) |
| 2020 | *Da 5 Bloods* (Hybrid: 35mm, 16mm, digital) |
| 2020 | *The Devil All the Time* (35mm) |
| 2020 | *The King of Staten Island* (35mm) |
| 2020 | *The Nest* (35mm) |
| 2020 | *On the Rocks* (35mm) |
| 2020 | *Sound of Metal* (35mm) |
| 2020 | *Tenet* (65mm and IMAX 70mm) |
| 2020 | *The Truth* (35mm) |
| 2020 | *Wonder Woman 1984* (Hybrid: 35mm, 65mm, IMAX 70mm) |
| 2021 | *A Chiara* (Hybrid: 16mm and 35mm) |
| 2021 | *Beckett* (35mm) |
| 2021 | *Beginning* (35mm) |
| 2021 | *Bergman Island* (35mm) |
| 2021 | *Censor* (35mm) |
| 2021 | *Crisis* (35mm) |
| 2021 | *Don't Look Up* (35mm) |
| 2021 | *The French Dispatch* (35mm, color and B&W) |
| 2021 | *Last Night in Soho* (Hybrid: 35mm and digital) |
| 2021 | *Licorice Pizza* (35mm with 70mm distribution) |
| 2021 | *Malcolm & Marie* (35mm black-and-white) |
| 2021 | *Memoria* (35mm) |
| 2021 | *No Time to Die* (Hybrid: 35mm, 65mm, IMAX 70mm) |
| 2021 | *Old* (35mm) |
| 2021 | *Spencer* (Hybrid: 16mm and 35mm) |
| 2021 | *West Side Story* (35mm) |
| 2021 | *The Worst Person in the World* (35mm) |
| 2022 | *Aftersun* (35mm) |
| 2022 | *Babylon* (35mm) |
| 2022 | *Bones and All* (35mm) |
| 2022 | *Corsage* (35mm) |
| 2022 | *Death on the Nile* (65mm) |
| 2022 | *The Fabelmans* (35mm, 16mm, 8mm) |
| 2022 | *Godland* (35mm) |
| 2022 | *Jurassic World Dominion* (Hybrid: 35mm, 65mm, digital) |
| 2022 | *Nope* (65mm and IMAX 70mm) |
| 2022 | *White Noise* (35mm) |
| 2023 | *All Dirt Roads Taste of Salt* (35mm) |
| 2023 | *All of Us Strangers* (Hybrid: 35mm and digital) |
| 2023 | *Asteroid City* (35mm, color and B&W) |
| 2023 | *Close Your Eyes* (Hybrid: 35mm, 16mm, digital) |
| 2023 | *Creed III* (One scene on 35mm) |
| 2023 | *Fallen Leaves* (35mm) |
| 2023 | *Fast X* (One scene on 35mm) |
| 2023 | *Fingernails* (35mm) |
| 2023 | *The Five Devils* (35mm) |
| 2023 | *Heart of Stone* (Hybrid: 35mm and digital) |
| 2023 | *The Iron Claw* (35mm) |
| 2023 | *Killers of the Flower Moon* (Hybrid: 35mm and digital) |
| 2023 | *Knock at the Cabin* (35mm) |
| 2023 | *La Chimera* (Hybrid: 35mm and 16mm) |
| 2023 | *Maestro* (35mm, color and B&W) |
| 2023 | *Monica* (35mm) |
| 2023 | *Oppenheimer* (65mm and IMAX 70mm, color and B&W) |
| 2023 | *Past Lives* (35mm) |
| 2023 | *Poor Things* (Hybrid: 35mm Ektachrome and digital) |
| 2023 | *Saltburn* (35mm) |
| 2023 | *Sharper* (35mm) |
| 2024 | *Anora* (35mm) |
| 2024 | *The Bikeriders* (35mm) |
| 2024 | *The Brutalist* (35mm VistaVision) |
| 2024 | *Challengers* (35mm) |
| 2024 | *Cuckoo* (35mm) |
| 2024 | *Dune: Part Two* (Shot digitally, distributed on 70mm and IMAX 70mm) |
| 2024 | *Handling the Undead* (35mm) |
| 2024 | *Kinds of Kindness* (35mm, color and B&W) |
| 2024 | *Maria* (35mm) |
| 2024 | *Nosferatu* (35mm) |
| 2024 | *Poolman* (35mm) |
| 2024 | *Saturday Night* (35mm) |
| 2024 | *Strange Darling* (35mm) |
| 2024 | *Trap* (35mm) |
| 2024 | *Twisters* (35mm) |
| 2024 | *Queer* (35mm) |